This movie touched me in a lot of ways.....
I've read some of the reviews here and I think a lot of people are looking at this film in a wrong perspective. The idea for the film originated during a therapy session Lars von Trier attended during treatments for his depression. The therapist told him that depressive people tend to act more calmly than others under heavy pressure, because they already expect bad things to happen. It's not about science fiction and it's not a disaster movie. It's a film that examines the human psyche during a disaster. The film is very subtle and yes slow at times but as someone whos struggled with severe depression I related to and understood Kirsten Dunst's character so much. We're dealing with such flawed and sad characters so the slow pace made sense. I would say this is more of a psychological drama than anything else. This film is so beautiful and the acting is superb.
Loss
"Melancholia" may be the most accessible Lars Von Trier film I've ever seen. (However, for a director who often goes out of his way to alienate, repulse, and irritate his audience, that is not saying much.) "Melancholia" is beautifully shot and visually lovely to look at; gone is the difficult visual minimalism of films like "Dogville". Also gone is the gory brutality that is often part of Von Trier's films (especially his last film, "Antichrist".) "Melancholia" is a thoughtful, fascinating film told in two distinct, yet overlapping, parts.
The first part, "Justine", is a realistic, sad family drama which tells the story of a young bride who implodes on her wedding day. Just married to a handsome man, promoted by her boss, and treated to a lavish party by her rich brother-in-law, Justine has every reason to be happy. Except she's not. Behind her forced smile, she's hiding a dark depression. By the end of the night Justine's depression, along with the selfishness and...
The most beautiful film I have ever seen
This is, hands down, THE most beautiful film I have ever seen. I'm sorry, articulation is not my strong point, but all of these one star reviews... baffling. I cannot imagine we were watching the same film. Von Trier has taken existential dread to new heights with this one. Everybody's worst fear, fully realized right there on the screen...
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